Did you know Anne Elizabeth Moore and Esther Pearl Watson collaborated on the very first Ladydrawers strip together way back in 2010? Well it was collected into the latest edition of the rad, international anthology Kuti Kuti—the feminist issue, with a cover drawn by our superbestie Emmi Valve—and you can download it here.
We’ve been so busy winning houses for comics and prepping for CAKE and the AMC that we’ve barely had time to attend our own book-launch events, much less post pics from them! Still they were quite fun, and we wanted to share the love.
We were thrilled to be joined at the Women & Children First event by SWOP-Chicago’s Serpent Libertine, who is also interviewed (extensively) in the book. We even held a raffle and raised over zero dollars for SWOP-Chicago’s educational and legal support efforts! (We forgot to count it, but we greatly appreciated your donations!)
Carolina Miranda at the LA Times wrote up a fantastic piece on our new book:
The collected reports look at the history of the trade, the lives of those employed in it (from sweatshop workers to retail staff to models) to the high human cost of fast fashion — which has put pressure on manufacturers to churn out ever cheaper clothes at ever faster rates.
“People faint on the factory floor,” Moore says. “They physically cannot keep up with the workload.”
“Threadbare’s” drawings by Leela Corman, Julia Gfrörer, Simon Häussle, Delia Jean, Ellen Lindner and Melissa Mendes allow Moore to engage with readers about complex (and often dry) material that would be infinitely more difficult to communicate with words alone.
Thanks for taking the time to credit each of the stellar artists, Carolina! Not to mention really thinking about what makes comics journalism so effective.
“Threadbare” is not light reading. But the comics format makes an opaque topic artfully illuminating. We may never visit the inside of a sweatshop. But the drawings take us right inside, amid the dusty piles of fabric and the whir of sewing machines.
Last week we were invited to the Figge Art Museum in Davenport, Iowa (see details here) to install an oral history window mural entitled Let’s Chat About Civil Rights / Let’s Chat About Civic Memory. Here are a few process shots, with Sheika Lugtu, Melissa Mendes, Chris Reno, and Tessa Pozzi working on the mural. (Anne Elizabeth Moore was behind the camera.)
We were honored to be asked to donate a copy of Threadbare: Clothes, Sex, and Trafficking to this amazing project that seeks to put books about sex work and sex workers’ rights in the Lowell Women’s Correctional Institution in Ocala, FL.
Here are a few more details, via email from one of the organizers:
SWOP Behind Bars has been created to create a connection between people who are imprisoned and our amazing community of sex workers activists and advocates. We have been invited to participate in the creation of a pilot program in Lowell Womens Prison in Ocala Florida by John Meekins that seeks to provide resources for people who will be released within the next 24 months.
This is a really big deal as it is quite unusual for a prison to allow – and in this case encourage – sex worker friendly material freely accessible in the prison library.
Please also note that the website for the project states:
You may send books that do not have anything to do with sex work or sex worker rights. The ladies like novels, poetry, short stories, self help books, biographies, historical fiction and non-fiction, auto-biographies, GED study guides and How-To or DIY manuals. The program directors have encouraged us to send books on addiction and recovery as well.
Perhaps you have a few titles that might work in the library? Get in touch.
Ladies and Gentlemen and Everyone In Between and Everyone Else Too,
We are thrilled to show off the final cover of Threadbare: Clothes, Sex & Trafficking, coming from Microcosm Publishing and a bookstore near you in just 79 days. Behold (and p r e – o r d e r ):
Although the fifth and sixth installments have yet to post, we’re halfway through Growing Season, our public health and food justice comics journalism series for Truthout. While it’s our fourth season at Truthout, this is only the second year we’ve taken on a single focused subject for year-long exploration. Considering the popularity of Our Fashion Year (to be collected in a book called Threadbare in the spring), we thought it best to give you a little update on where the project stands.
Roots & Migrations, written by Anne Elizabeth Moore and drawn by Sarah Becan, focused on a Chicago-based artist named Fereshteh Toosi, whose food-based work references her own migration history and that reflected in the culture around her.
Sarah Becan also drew our second strip, Stinging Nettles, written by Anne Elizabeth Moore. In it we speak to Elizabeth King George in the Pacific Northwest, who leads Native American food explorations in person and online to pass on vital health, healing, and taste traditions.
Melissa Mendes then joined us for two strips that looked in-depth at Soul Fire Farm, an inspirational food justice program in upstate New York. Cultivation (above) and Cultivating Policy (below) presented the organization’s work around food and racial justice, but also opened up the discussion of food access to a query of the role of food policy.
Our upcoming strip by Sarah Becan and Anne Elizabeth Moore (posting Tuesday at Truthout!) talks to the dude who helps keep an eye on Food and Freedom, Baylen Linnekin. Can’t wait for it? Sorry! We promise it’ll be worth the wait.
Melissa Mendes and Anne Elizabeth Moore return in August with a strip that looks more closely at how particular food policy issues are contributing to a public health epidemic. It hits a little close to home for some of us, so we’re not even going to preview it for you. Just stock up on some hankies next week and we should all be good to go on the second Tuesday of the month, as usual.
Comments? Suggestions for artists, interview subjects, or food issues to bring in? We’d love it if you’d leave ’em below.